An Interview With Magnolia

Danielle and Danny
Danny and Danielle

Danny and Danielle are best friends who’ve recently begun recording under the moniker Magnolia. They’re an unlikely duo on first sight, but the more time I spent talking with them the more I peeped how they balanced each other out, like true Gemini. Their album Perspicacity Over Paradox is available to listen and download now.


Y’all started off the project with a 13-minute song in “trippin for a second” but it works though. What mad the two of you bold enough to do that?

Danny: I just knew it was a ballsy way to start off and I just decided that we were gonna do this.

Danielle: I was a little hesitant as any artist would be if their producer made such a ballsy decision, but we talked about it and decided that if the listener couldn’t make it pass the first song then it was their loss. Plus it acts as a great transition from our last work.


So this isn’t you guy’s first project?

Danielle: This is our first “real” project but we’ve done some things before.

Danny: We’ve been making music together since ’09. It started off as nothing serious, just me playing guitar while she sang in my backyard. But when Clift [Bored Lord] and I started our Oxford Icebergs project we brought Daniele in on that.


What kind of music was Oxford Icebergs?

Daniel:  Just a bunch of shitty drum wear and borrowed keyboards.


Did it sound like this album?

Daniel: Yes. I would say this is the evolution of what Oxford Icebergs began. But between that we have about 8 albums worth of music together just sitting on my hard drive.

How’d this project get started?

Danielle: I called Daniel on New Year’s Eve, 2015…or New Year’s Day.

Danny: Actually, all of New Year’s Day, I was asleep in the bed, hungover. I didn’t wake up until January 2nd.

Dani: Well, fuck, I texted him. But I just had the feeling that 2016 had to be different for me. My son was turning 1 years old and, T.M.I., but I’d just stopped breast feeding him and I hadn’t really gone anywhere without him or done anything for a year. After I stopped breast feeding I decided that this year I’m going all in. I wanted to make an album with Danny and I wanted to start on my photography. And that’s what I did.


What goes through your mind when you’re breastfeeding your son? Is that too personal a question?

Dani:  Not at all! I’m just like “You’re not gonna die today, baby!” It’s funny, but really “I love you so much and you’re gonna be so healthy and big.”

Daniel: I remember you telling me about the Platinum Breastfeeding Club.


Platinum Breastfeeding Club?

Dani: Yeah, it’s all just made up but there are different levels depending on how long you breastfeed. At 6 months you get a gold star. I did a year so I had, like platinum nipples.



Dani: It was a good year. I got to lose myself in my son and then find myself all over again.


So how did being a mom change your music making process?

Dani: Well of course as an artist I still do this art thing for me. But I know one day my son will listen to this album too and I couldn’t help but think about that when I was writing a lot of this album. We all lived through the tension of the last couple of years and my son, Sean is a quarter black. I know most people will identify him as being a white male but I want him to know that he’s more than that. We all are, and we have to embrace that fact and just because you may be able to pass as white that doesn’t make you translucent. It’s who you are.

Danielle with Bored Lord of Rare Nnudes.
Danielle with Bored Lord of Rare Nnudes.

I can definitely feel that in the song lyrics. A lot of the lines seemed like really bold declarations on the last year or two. There ain’t no good in everyone, there’s no love in this place if you can’t respect my race, if you don’t see a problem then you are one, and No one really cares what hurt feels like. Are these your messages you want delivered.

Dani: Definitely. You hear things growing up like “no one’s out to get you” and “everyone is inherently good” but there’s a lot of hatred still ingrained here. Is not overt hatred no one’s gonna run up screaming insults, probably not. But I think that a false sense of safety can be dangerous for everyone.


What do you think about that, Danny, as a white man? The fact that a lot of us feel that it may go back to how it was when even overt hatred was common in this country?

Danny: When you listed all of those lyrics from the song it made me have a moment. Like the line “I just realized no one cares what hurt feels like” to me it’s just a part of the song which is a part of this project that I’ve been working on for months. But hearing it mean something to you makes me remember all over again that it really could go backwards. Those words mean something to people who have just as many feelings as I do.


Why the title Perspicacity Over Paradox? I had to look up the meaning of perspicacity and it means, pretty much, being able to perceive truth around you. I still don’t get the whole title, though. Care to explain?

Dani: Well I’ve always loved the quote “Mind Over Matter” and that’s how I chose to live my life. I don’t want to trip over the issues that come my way. I always try to maintain the mental capacity to deal with it all. Perspicacity is having the keen-ness to make sense of all the contradictions you see – the paradoxes.


Why not just title it Mind Over Matter?

Dani: I wanted people to have that same experience that you had. The not knowing what the words meant, to looking up the meanings, to putting it all together. So I used a thesaurus, I’m not ashamed to admit. I love Thesauruses.

Daniel: I remember Dani came to me like “I have the title for the project” and then we spent a while just trying to figure out how to say it.

Dani: Yeah, it took us like 2 months to get comfortable saying the words all together. And, to me, that’s ok! I don’t see any problem with learning things.


The two of you have been working together for a while. Was there a formula to your approach this time around?

Danny: No.

Dani: Well, actually, Danny would send me a skeleton beat of the track that he’d have named already and, whatever he titled the track, that would give me my direction. We did that on all the songs except for one.


That’s actually dope as fuck.

Daniel: And the way I name my beats is the moment I’m done with it, the first thing that I hear is gonna be the name of the beat. I finished a beat and turned to Danielle and she said “hold on my bad I was tripping for a second” and I named the beat that, Trippin For A Second.

Dani: And then I named the song “Trippin For A Second”


Y’all ever tripped acid before?

Dani: Not me. Danny has.

Danny: I’ve tripped aloooooot.

Danny and his guitar.
Danny and his guitar.

Do the two of you consider yourselves woke?

Danielle: I definitely consider myself woke.

Dani: I don’t consider myself woke.


That’s an interesting juxtaposition. Why do you think y’all have differing positions, despite being best friends?

Dani: I only consider myself woke because I’m actively trying to know. I take in a lot of information, I read a lot of books, I minored in African American studies when I was in school so, in that sense, I consider myself woke. To take in information and allow it to directly or indirectly touch every aspect of your life, that’s woke.

Danny: Well, I like listening. I have a lot to say but I would rather not be vocal.

Dani: I don’t think Danny’s one to speak on experiences that he’s not directly connected to.


Are the two of you best friends?

Dani: Hell yeah, we’ve been best friends for 10 years now.


So If I said that Danny drinks a lot, is funny as fuck and he loves rap music what could you add to my portrait of him?

Dani: He’s also very in tuned with his emotions. We’re both Gemini so we connect on that level.

What does that mean?

Dani: We just have that duality about ourselves, we’re very in touch with our feelings but we have the ability to disconnect as well in order to keep our mind over matter.


And Danielle, in my opinion, is cool, intelligent, very graceful and well spoken. What else is she?

Danny: She’s just genuinely a nice person.


Did either of you guys learn something new about the other while working on this album?

Danny: Yes, definitely. I always knew Danielle could sing her ass off but after this album, hearing her range on every song has low pitches and high notes everywhere. I knew she could sing and write but with this project she put them together so well.

Dani: Where Danny would take the songs after I had recorded my lyrics, I couldn’t have imagined that. I think this is the hardest we’ve both pushed ourselves to do the best work that we can do.


That seems to be a staple of the Rare Nnudes fam, elevating a song to another level after the artist has done their part. Where’d you all get that Kung Fu from?

Danny: I’m surprised that I have that Kung Fu because I worked with Michael [Minivan Markus] and that guy is awesome.

Danielle: Yeah, Michael is so talented…

Danny: Yeah, let’s sit here and jerk Michael off for a minute because he deserves it.

Danielle: Working with him [on mixing and mastering] the last two weeks before the album went out was an amazing experience.

Danny: I gave him every stem, every track and he put them on his mini-fridge of a computer and went in.

Danielle: His ear is impeccable.


Any other shout outs?

Danny: Shout out to Charles, Michael, and Clift. Charles helped me with all of the tape samples that you hear. That was Charles and I playing the harmonica.


If you took a blank canvas and played this album at the same time, what do you think you’d paint, skills withstanding?

Danielle: I’d probably paint an oil painting – a self-portrait – with something beautiful in the background. Maybe a West Virginia mountain top.

Danny: I’d paint like some Bob Ross style trees.

Photo by Charles Grey
Photo by Charles Grey

I Dreamed Of A Tiger


The other night, I had a dream. In the dream I was alone in a dense jungle and I could feel in my chest and in my mind the fear of knowing that I was being stalked, hunted. As I tread deeper within the trees I was finally attacked by my invisible dread, a beautiful young tiger that had no desire to kill me at all; only to play. It scratched and bit and pushed me around a lot, but as she would do a friend or a partner. The tiger was in love with me.

Painting by Salvador Dali
Dream Caused by the Flight of a Bee around a Pomegranate, a Second before Waking Up by Salvador Dali

I wanted to share this dream not because of how amazingly grandiose or surreal it was. On the contrary, it was a very typical dream. I just wanted to share it for the sheer sake of sharing something completely ME online, which I think is still a rarity for us all.

Everyday I read posts from friends and strangers alike that shed light on their lives. Their everyday lives, their sex life, their ambitions, their haters and, of course, their opinions. Each post, a quick little peek at the personas we all wear for the sake of a standard called “normality.” We all think we’re so unique and clever and thoughtful and edgy when in reality we use the internet to amplify our flatness. The things I see online seem the same glimpses of your life I would witness in real life, only on a quicker and larger scale.

Same shit, different day. Même merde, jour différent.

If Millenials want to be seen as something new and miraculous, we’ll have to use our gifts and our tools to say and do things that were impossible for our parents and grandparents to do. Ingrained into our cultural fabric there seems to be a standard for how we communicate with each other and it seems a fabric based entirely too much on grasping, reaching, yelling into the void. We can’t just do these things exponentially FASTER or LARGER and expect to rush toward a new way of living. We must try to be different; we must move very slowly when everyone and everything around us wants us to rush. We must try whispering into the void; telling the unknown about the universe that lives within us, the one that only you can visit.

In a time where you can post a picture of a corpse or a video of strangers fucking or footage of some poor victim being killed, share your dreams. Rarely do I see something as simple as a dream shared. Is it a boundary that we still can’t cross?

Is it because dreams are intimate and often unexplainable, even to the dreamer? is it because they hold pieces of the true face that we don’t want others to judge? Is it just that dreams are silly and unimportant, too dull of a topic to get enough likes and retweets? I don’t know. I just wanted to say all of this to make sure that you all know that there is still so much YOU to offer this world that seems to be diluted with personality and branding. I’d much rather hear about the dream you had last night than the NETFLIX show you watched as your eyelids grew heavy.

Carl Jung believed that, in our minds’ quest for wholeness, our dreams do the work of integrating our conscious and unconscious lives. If you really wanna wake people up, share your dreams with them. The key to the next persons imagination may just lie within your dream, waiting to be shared with the world.

Still of a film by Andy Warhol titled “Sleep”




This year has been one of tremendous growth for me. I’ve had so many opportunities to realign my ideal self with my real self and it’s been tough but I know that I am becoming. In past years, I’ve always had a hard time during the cold holiday season, growing distant isolated and, most of all, disgusted by the way we as Americans celebrate Christmas.

But this year that isn’t the case. I’ve made peace with the mass consumerism and shopping mall zombies. I understand the need to rejoice for the Christ is born, even if the date is a bit off. I can relate to the fat man in a red velvet suit and a big bag of gifts flying a reindeer sleigh through the air parking on your roof and coming down your chimn — okay, the Santa Clause thing is still a bit weird…

But the point is, I’ve become more understanding of why we, as human beings, must tell ourselves these fantastic stories to come together. Every year is tough, with the positivity of January 1st slowly circling the drain, washing away the high hopes that we all had for a better year than the last, when in reality requires that most of us fail to achieve everything we wanted. When that reality starts to set in, most of us just want to escape into the little bit of refuge that we can find. We want to escape into each other.

Rather that escape be into the joyful innocence of our children as they smile in surprise, the pure and eternal love from our savior (You the man…er baby, Jesus!), or the chance to cop that television you really wanted we all just want a reason to continue, when deep down we know that next year will be the same as last. We’re all just trying to find a fire to warm ourselves beside, if only for a little while.

In past years, I was disillusioned and disgusted by the holiday season. This year, I’m still aware of the absurdity of it all but now I can smile at it. The only difference is my capacity for compassion.

Oh and plus my girlfriend bought me this really dope bluetooth speaker that I’m using right now to listen to some Miles Davis. That helps too.

Merry Christmas, Miles
Merry Christmas, Miles


Merry Christmas,



An Interview With Miko


I got a lot of friends who are artists. Here’s an interview on my friend, Miko who recently dropped one of the best debut projects I’ve ever heard, even though he took me off of his album. I brought him over to my place and turned on his album and asked a few questions.

Havi: Ok the first thing that jumps out to me as soon as the intro starts…I’m hearing a lot of birds and sounds from nature, you do this throughout the album, why?

Miko: Its part of the overall concept. I wanted to put the listener on a journey through a forest and have the music be their guide.


Havi: Why a forest?

Miko: A few years ago I went to a park with my then-girlfriend, somewhere out in Collierville and it was really…..tranquil.


Havi: Did yall do it? Did y’all break up in the forest?

Miko: No it wasn’t’ anything dramatic. I was just captivated by the experience, the tranquility and the silence and the sounds of birds.


Havi: You had two prominent rappers in me and Preauxx on this project because we fuck with you, but neither one of us made the album. What made you take us both off?

Miko: In the beginning I was thinking that if I had a couple prominent artists on the project – even if they were off subject, they could’ve helped push the project. Later on, though, I felt lie it would’ve done the album a disservice to stray from the concept. Even though both of y’all had really great verses.


Havi: What was Preauxx’s verse about?

Miko: Mostly about being a black man in America. About niggas dying out here.


Havi: I know my verse was on some crazy shit. Atom bomb shit.

Miko: Yeah, Death The Destroyer of Worlds shit. But Preauxx’s verse gave me an idea for another project and you’re gonna use our song together for your own project. I think it’ll all work out in the end.


Havi: So art over politics?

Miko: Yeah. Most def.


Havi: Every time?

Miko: Eh…who’s to say.

Photo by @plzfocuskid

Havi: So you’re pretty young, just 20. But you have a lot of older guys in the art scene that fuck with you. What do you think it is about you that made us say “yes” when you asked “Hey can you be on my debut LP?” Or “Hey can you be a part of this all-Radiohead samples project I’m working on?”

Miko: I guess it just comes from my appreciation for the music that comes from Memphis.  Anytime you, Preauxx, my Unapologetic family, Rare Nnudes drops something new, I’m on it. I’m listening.


Havi: No interview is complete without shoutouts. Do you want to shout out the artists who helped on Come With Me?

Miko: Yeah man, I want to shout out Sandier Lambda, Papa Shun, the homie Trees, The Sidewayz, IMAKEMADBEATS and the rest of the Unapologetic fam for inspiring me to push the body of work forward.


Havi: You interned at Unapologetic’s Dirty Socks Studios for a while but things took a turn and you lost that internship. What happened and how did it affect this project?

Miko: I interned there for 7 months. Around that time I was dealing with a really bad breakup for one.


Havi: With the chick from the forest?

Miko: Yes, with the forest nymph. Actually the day she broke up with me was the same day I found out I got the internship. But yeah during that time, I kind of just fluctuated between being really motivated to do shit and feeling like I wasn’t worthy of any of the good things I had in my life. Like I didn’t deserve working with Unapologetic.


Havi: How did you turn that all around? How’d you pick everything back up?

Miko: It was just seeing the frustration on all of my role models faces mixed with knowing that I was really own my own mixed with trying to prove myself TO MYSELF. Through this project I was able to find myself again. And at first I wanted this shit to be a huge spectacle of a debut album and the stress of it was crazy until I had to back up and tell myself “you’re not being honest.” That’s what, I think, happened with the verses from you and Preauxx.


Havi: You dropped out of college. What led you to make that decision and do you ever thing about going back.

Miko: Man I don’t know if I’ll ever go back. In college I had panic attacks, thoughts of suicide, plus a lot of bullshit prerequisite classes. It’s bad enough that I had to take on thousands of dollars in debt but I had to take classes I didn’t want to learn about too.


Havi: Did your parents go to college?

Miko: My mom hasn’t even graduated from high school yet. She knocked out her principle when she was pregnant with me and got expelled. My step dad went for two years but never finished.


Havi: Do you think you made the right decision?

Miko: I think I made the best suited decision for myself. College was the least of my interest and I wanted to get better at my craft.

Havi: Your music seems pretty romantic. Do you consider yourself a romantic guy?

Miko: I’m a lover boy. I have a lot of love for my music, for the people in my life, and there is a love in my life right now too. But mostly I’m just too goofy to be a big time romantic.


Havi: Do you have a girlfriend?

Miko: Yeah.


Havi: Does she consider you romantic?

Miko: I think she does. She also considers me corny as fuck too though…


H: Same thing man. Are there any tracks inspired by her on the album?

M: Track 10, “Anywhere You Go.” One night could tell something was bothering her yet she went to bed without telling me what was wrong and I just stayed up to make that song. Instead of overthinking the conversation we had I decided to channel that into something I could actually control. And then I brought in Sandie to sing the lyrics I wrote at the end.


H: Why isn’t there more singing from you on the album? You’re also a really good singer.

M: Basically in my music there are two different versions of me. There’s Spekulate the Philosopher who helps you find yourself and then there’s El Moreno who is trying to find himself. I thought about singing on more tracks but I don’t want to cross those two worlds too much just yet.

H: Who’d win in a fight Spekulate or El Moreno?

M: As of right now I think Spekulate is winning. True El Moreno is always angry but Spekulate is gonna make you look foolish before you even land a punch. Spekulate is Muhammad Ali dodging and floating. Until El Moreno learns to channel his energy, he’ll always lose.


Havi: What’s your favorite cartoon show of all time?

Miko: Ed, Edd, and Eddy.

Photo by @plzfocuskid
Photo by @plzfocuskid

Havi: You, Trees, and Rudy Rhymer, Who’s who in the trio?

Miko: I think Trees would be Eddy because I get the feeling Eddy would smoke a lot of weed. Rudy would be double D and I’d be Ed. I’m a big goofy ass nigga so I’d have to be Ed.


Havi: If you were God what would you do differently?

Miko: I’d claim right to all the memes. And I’d restore the balance between good and evil because it seems to be out of whack these days.


Havi: How do you feel about the city you live in?

Miko: I think the higher social classes need to realize that everyone is just trying to survive. And as far as art goes, I think we’re all slowly realizing that we have to come together to do just that. Survive.